How to Paint Everything: Sisters of Silence

Contrast, baby! Contrasts works as well over Retributor Gold spray paint as it does Wraithbone and Greyseer. We’ll give that a shot with the tips below! If you’re curious about other colors, check out this guide:

Battle Ready

1. Prime the model with Retributor Gold
2. Wash the armor of the model with Gor-Grunta Fur
3. Paint the boots and chest with Black Templar
4. Paint the metal sword with Leadbelcher or Iron Warriors paint. Paint the handle with Screamer Pink.
5. Paint the hair with Blue Horror
6. Paint the skin with Bloodreaver Flesh and shade with Druchii Violet once dry.
7. Paint the cape with Phoenician Purple or Xereus Purple (2-3 thin coats).
8. Paint the top of the base with Rhinox Hide, drybrush with Eshin Grey once dry.

Parade Ready

1. Highlight the edges of the armor and the symbol on the cape with Sycorax Bronze, followed by a dot of Stormhost Silver
2. Highlight the boots and chest with Eshin Grey
3. Wash the sword and handle with Nuln Oil
4. Wash the hair with Akhelian Green. Once dry, highlight the top of the hair with Temple Guard Blue, followed by Blue Horror.
5. Highlight the skin with Knight-Questor Flesh.
6. Paint the eyes with Rakarth Flesh and dot the pupils with a .005 Black Micron Pen
7. Highlight the edges of the cape with Genestealer Purple, followed by a lighter highlight of Dechala Lilac or Warpfiend Grey.
8. Wash the base with a 50/50 mix of Water and Nuln Oil.

• Armor- To achieve an aged gold look for the armor on my sisters of silence I start with VMC Hammered Copper all over. I then washed it with a mix of Golden High Flow Acrylics Sepia, Dioxazine Purple, and some medium and water. I have a number of these paints I use for washing and airbrushing. If you aren’t diving headfirst into airbrushing, I would recommend games workshop’s Druchii Violet, Agrax Earthshade, and possibly Lahmian Medium. The golden paints are basically just more concentrated versions of these. This is a fairly weak wash, just enough you can spot the purple hints in the recesses. After washing, I gave the entire model and edge highlight with Retributor Armor.
• The skin is VGC Pale Flesh mixed with a little bit of VGA Dwarf Flesh (any dark ruddy skin such as cadian fleshtone is just fine) I covered the skin with the darker mix, then progressively highlighted up to pure Pale flesh, adding a little bit of definition to the facial features with a very dilute wash of Reikland Fleshshade in the crevices, then a very slight bit of Nuln Oil in the eye sockets.
• For the red cloaks, They are VMC Flat Red mixed with black for a basecoat and highlighted to pure flat red.
• I honestly don’t remember the paints I used on the purity seals and ropes. The ropes are brown with the details picked out in a dark bone color, and the purity seals are khaki highlighted with a light bone color.
• The fur is VMC London Grey drybrushed with VGC Cold Grey.

The last bit of note on these gals is that I replaced their heads with some from the excellent Statuesque Miniatures. I’m not too fond of the giant face plows on the stock Sisters of Silence. Make sure not to use any of the shouting heads unless you’re converting up some Sisters of Loudness.

Primer: Black

Armor: The armor was done using the Scale75 copper and brass set. Basecoat is Decayed Metal followed by a coat of Old Copper on everything but the deepest recesses. Then highlights were built up with Victorian Brass then Pure Copper. All over wash of Reikland Fleshshade. Nuln Oil was neatly put into the deepest recesses. Pure Copper highlight built back up and finally an edge highlight of Citadel Runefang Steel was applied.

Leather: Vallejo Model Color German Grey was used to build up some areas of highlight on the black parts, then and edge highlight of VMC Basalt Grey. (Same for Hair)

Skin: Basecoat of Bugman’s Glow. Then an all over coat of 1:1 Bugman’s Glow and Cadian Fleshtone, leaving the previous layer in deepest recesses. Next pure Cadian Fleshtone over most most of the previous layer. 1:1 Cadian Fleshtone and Kislev Flesh on all the raised surfaces and top facing angles. Finally pure Kislev Flesh as a highlight to previous later.

Cape: This was done similar to the leather, but building up grey tones using quick brush stokes in horizontal lines. VMC German Grey was done in lines over most of the surface, followed by a mix with VMC Basalt Grey hitting the raised folds. Next was a series of smaller lines of VMC Basalt Grey on most raised areas. The eagle was done the same way using brown and building through yellow to a tiny bit of white.

Tattoo: I used the GW store image for reference here. Started out by roughly making the eagle shape with thinned down black. Once the shape was looking right the area was filled with a few layers of a VMC Prussian Blue and black mix. Kislev Flesh was used to clean up around the edges and straighten out anything that looked off.