Good Wednesday to you dearest of readers as we are once again here to answer your quizzical questions and get to the bottom of your burning desires for answers. Last week, we dealt with whether people are sitting correctly (no), what to do when you’re alone at the function, and how to conquer FOMO. As we put Pride Month to bed, we’ve had some great questions, and I’m certainly looking forward to many more to come in the future.
Before we get to this week’s questions, a short reminder that if you would like YOURÂ question answered by ME, all you need to do is either leave a comment below the article, or if you’re in the Goonhammer Discord (why aren’t you?), you can use our anonymous question bot to do so as well!
They Ain’t Heavy, They’re Actually Small and Fragile
Keewa: It’s tricky to advise people on how they should think but broadly I think if you want to improve your understanding of blending colours, and how they “should” be blended, it’s beneficial to study colour theory. In addition, view, study, and consume as much art as possible and try to understand the use of colour in them – why did the artist use that particular hue next to that one? What does the juxtaposition communicate to the viewer? Learn a bit of art history and use that knowledge to inform how you paint. Finally, use tons of reference, as much reference material as possible. You want to understand how a certain skin-tone looks in a cold light? Find a photo, someone, somewhere will definitely have taken a photo that you can fold into your knowledge and use in your piece. If you have a photo editing software, you can use the colour picker to extract the colours from your reference and compare them to the paints you have.
There’s lots of ways and techniques to improve your use of colour, these are just some of them.
Hope that’s helpful!
Marcy: Thanks Keewa! I think these are great suggestions, and so I want to just add on a few little ideas. If you’ve got quite a lot of paint sitting around and you want to experiment with it, you could probably benefit from a few “test” models and tools, such as bases (especially some of the textured bases that exist, or make some yourself). These can give you neutral places to test your thoughts and practice your painting without having to worry about “ruining” a model. Keewa is right, though: you need to think about painting as an artistic method of expression, not just for using it on models for a game. Once you start rolling in lessons from painting and understanding painting broader, you can apply it to your models, but you also need practical experience to help your skills there. So pick up some cheap models, bases, or anything that you can safely paint with acrylics, and get in some practice. Maybe we’ll see you at the next Golden Daemon! Or just send us cool pictures of your models, that is probably easier. Good luck!
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